#John berger ways of seeing 1972 series#

#John berger ways of seeing 1972 series#

First published in 1972, it was based on the BBC television series about which the Sunday Times critic commented: This is an eye-opener in more ways than one: by concentrating on how we look at paintings. Even within a painting, if there was another male, the female would still be looking at the viewer. John Bergers Ways of Seeing is one of the most stimulating and influential books on art in any language.

Many paintings had the female looking directly at the viewer, who was usually the owner of the painting, who was usually presumed as male. Oil paintings were painted for patrons as possessions. Venus, Cupid, Folly and Time (1945) by Bronzino shows Venus in a contorted 3/4th view with her posed toward the viewer. 'A naked body has to be seen as an object in order to become a nude.вЂќ Berger writes how oil paintings as possessions and objects usually featured female nudes for the male audience and patron. The child looks andД¬hapter 3 The female nude, nude vs nakedness Directed by Mike Dibb and presented by the marxist critic John Berger, the series addressed the canon of western art history as well as contemporary consumer culture. But, to turn this understanding around, in the sense of buying a painting, not everyone can afford millions and billions of dollars to buy original artworks or travel thousands of miles to look at them, reproducing them as souvenirs and museum merchandise have fulfilled fan service for the viewers.Ways of Seeing by John Berger was a book that was published in 1972 and based on his successful BBC television series.Д¬hapter 1 'Seeing comes before words. The documentary series Ways of Seeing was broadcast on BBC television in January 1972. This statement can be different for everyone, as today there are many possible ways to display paintings. To put these paintings in different forms and places, imagine looking at GoyaвЂ™s вЂThird of May 1808вЂ™ in a cafГ©, restaurant, gym, or on your phone? The difference here has shifted drastically because you are not participating in looking at it as a big large painting hung on a museum, you will not view it in the same way. You are automatically drawn to the painting you want to look at, and you are concentrating on your thoughts to perceive its story. 11:00 Sunday : Exhibit A: John Berger - Changing the Way We See - part 4 Summary: The fourth in the Exhibit A series Changing the Way We See, looking back on art books and essays which. It is a different experience of looking at a painting in a gallery/museum, where you are in a room with people who are looking at works as you are. It allows people to think in different ways to prevent them to actually visit cultural places to view and understand their taste in art. This watershed work shows, through word and image, how what we see is always influenced by a whole host of assumptions concerning the nature of beauty, truth, civilization, form, taste, class and gender. They lose some value when they are reproduced completely or in sections. John Bergers Ways of Seeing changed the way people think about painting and art criticism.

Berger goes back to his first action where he cut BotticelliвЂ™s 'Venus and Mars' and explains, paintings hold unique value as they were only allowed to be viewed in one place at a time, that is where they were displayed. The camera reproduces it, making it available in any size, anywhere, for any purpose.вЂќ It has become more convenient today to reproduce any image or painting at any level required. Berger says, вЂњThe painting on the wall, like a human eye, can only be in one place at one time.